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some texts...(pdf)

2004: ‘Models of Power (the secret lives of buildings)’. Phillips M. Consciousness Reframed 6: QI and COMPLEXITY - 24 - 27 November 2004. Beijing China.

2004: Phillips, M. Soft Buildings. Technoetic Arts, A Journal of Speculative Arts. Vol 2, Number 2 - 2004. Intellect Ltd. ISSN 1477-965X. pp 99-108. Remodelled Construçóes Interativas.

2004: ‘read/write/fold’ Phillips M, Speed C, Montandon A, with Dent E. Performance Research Vol.9, No.2 ‘On the Page’ (2004) issn 1352-8165 isbn 0-415-34737-6.

2004: Anders, P. and M. Phillips. 2004. ArchOS: An operating system for buildings. In proceedings of the 2004 AIA/ACADIA Fabrication Conference, Cambridge and Toronto, Ontario, Canada. Nov. 8-13, 2004. pp. 282-293.

2003: Construçóes Interativas. Phillips.M. Redes Sensoriais. Arte, Ciência, Tecnologia. eds Maciel, K. Parente. A. Contra Capa Livraria, Rio de Janerio. 2003. ISBN: 85-86011-74-6. pp149-155. (30/11/03). Original English.

2003: 'Arch-OS v1.1 [Architecture Operating Systems], Software for Buildings'. M. Phillips and C. Speed. 5th International. CAiiA-STAR Research Conference and Workshop. Consciousness Reframed 2003. (02/07/03).

2002: 'Auto-Creativity V1.5: A slash and burn transmedia compression codec for artists and designers'. M. Philllips. Teaching in a Digital Domain. Innovation, A National Symposium – Part 3 in collaboration with Forum for Electronic Arts Research (FEAR) Australian Council of Universities of Art and Design Schools (ACUADS) in collaboration with the Australian National Coalition of Creative Arts (ANCCA). Technology Park, CSIRO Theatre. Curtin University of Technology, Perth, Australia. Part of the BEAP [2002 Biennale of Electronic Arts Perth]. (11/07/02)

2002: The Search for Terrestrial Intelligence. M. Phillips (S.T.I. Consortium). 4th International. CAiiA-STAR Research Conference. Consciousness Reframed 2003. Curtin University of Technology, Perth, Australia. Part of the BEAP [2002 Biennale of Electronic Arts Perth] (02/07/02).

2001: 'Psychometric Architecture'. Phillips, M. V01D. Eds, C. Speed, G. Grinsted. Produced by The Institute of Digital Art and Technology, Plymouth Arts Centre, limbomedia and Digital Skin. ISBN 1 84102 087 7 (07/07/01). pp 52-57. Complete V01D PDF

2000: The Spectactor project: A Multi-User Narrative in Mediaspace, Mike Phillips,Peter Ride, Simon Turley. Art, Technology, Consciousness: Mind@Large, Ed Roy Ascott. Intellect Books, pp69-73. ISBN 1-84150-041-0

2000: The STI Project (The Search for Terrestrial Intelligence), STI Consortium, Funded by SciARt.

2000: The Sadeian Interface, Computers and Catharsis, Digital Creativity, Vol 11 numbers 1 pp75-87, 2000 ISSN 1462-6268/00/1002-0075

1999: Thinking Through Asynchronous Space, Reframing Consciousness, Ed Roy Ascott. Intellect Books, pp133-138. ISBN 1-84150-013-5

1999: A Postcard from Tralfamadore: the Tyranny of the Image, Invenciao, Sao Paulo, Brazil. 27 August 1999 (http://www.itaucultural.org.br/invencao/invencao.htm)

1999: Mr Zellaby's Mission. "The strangers came today, and it looks as though they're here to stay." CADE 99 (Computers in Art and Design Education), University of Teeside.ISBN 0-907550-66-5

1999: Multi-User Collaborative VRML Learning Environment. A Dream Building: a Diagram of a Mechanism of Learning, M. Phillips and V. Geroimenko. CADE 99(Computers in Art and Design Education), 7-9April, University of Teeside.P 134-140, ISBN 0-907550-66-5 1998

1998. Designing MEDIASPACE through the WWW, Satellite and Prnt. In: Rowland, F and Smith, J (eds), Conference Proceedings, Electronic Publishing '98, Towards the Information-Rich Society, ICC/IFIP Conference, 20-22 April 1998 Central European University Budapest, Hungary119-136. ICCC Press, ISBN 1-891365-02-9.

1998: Donald Rodney, The Death of an Artist. Simposio Futuros Emergentes, Arte en la Era Post-Biologica. CAiiA-STAR Presentation, Dipatacio De Valencia, Centre Cultural La Beneficencia, Valencia Spain. December 4-5, 1998

MEDIASPACE:
The intent of 'MEDIASPACE', whether in its 'dead' paper-based form, or the 'live' digital forms of satellite and internet, is to explore the implications of new media forms and emergent fields of digital practice in art and design. 'MEDIASPACEÍ is an experimental publishing project that explores the integration of print ('MEDIASPACE' is published as part of the CADE (Computers in Art and Design Education) journal Digital Creativity by SWETS & ZEITLINGER.), WWW and interactive satellite transmissions ('MEDIASPACE' interactive satellite transmissions were funded by the European Space Agency (ESA), the British National Space Centre (BNSC), and WIRE (Why ISDN Resources in Education) and use Olympus, EUTELSAT and INTELSAT satellites via a TDS-4b satellite uplink. (incorporating live studio broadcasts, ISDN based video conferencing, and asynchronous email/ISDN tutorials). The convergence of these technologies generates a distributed digital 'space' (satellite footprint, studio space, screen space, WWW space, location/reception space, and the printed page). There is also a novel and dynamic set of relationships established between the presenters (studio based), the participant/audience (located across Europe), and the reader. As an electronic publishing experiment in real time ('live' media) delivery, combined with a backbone of pre-packaged information ('dead' media content), the 'MEDIASPACE' transmissions provide a provocative model for the convergence of 'publishing', 'networked', and 'broadcast' forms and technologies.

MEDIASPACE: 1